• “Miss Lulu Bett” at Different Stages

    “Miss Lulu Bett” at Different Stages

    Zona Gale’s Miss Lulu Bett was written 100+ years ago, but the script is fresh, rich, and modern. It is maddening and hopeful. It’s been a long time since I have felt such real indignation and frustration for a fictional character. (Maybe since I first read Ella Enchanted 20 years ago?) The brief synopsis from…

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  • “El Cid” at Austin Shakespeare

    “El Cid” at Austin Shakespeare

    At one point in the first act of Austin Shakespeare’s Friday night performance of El Cid, an audience member on stage left started to unwrap a loud snack. The crinkling of the plastic paused, then continued. Paused, then continued. Heads turned from the stage towards the sound. Crinkle, crinkle. A woman a few rows in…

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  • “Ride the Cyclone” at Texas Theatre and Dance

    “Ride the Cyclone” at Texas Theatre and Dance

    When I first read the online blurb for Ride the Cyclone at UT Austin, I wasn’t very interested. The plot seemed fine, but the marketing line about every song being in a different genre and having “something for everyone” seemed overdone. I’m a documented pop-concert-musicals hater! Who wants to see a musical with no consistency…

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  • “Deathtrap” at Jarrott Productions

    “Deathtrap” at Jarrott Productions

    Deathtrap is a witty, self-aware, tightly packed script. No line is a throw-away. It’s a play that knows what it is and invites each actor to really dig their teeth into their roles. I found, however, that though Jarrott Productions’ current run of Deathtrap is almost technically perfect and enjoyable to sit through, it seemed…

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